EN. Michel Delville teaches English literature and comparative literature at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He is the author or co-author/editor of around 100 articles and 30 books focusing on the relationship between literature, music and the visual arts. His most recent publications include Crossroads Poetics. Text, Image, Music, Film, & Beyond (Litteraria Pragensia, 2013), The Political Aesthetics of Hunger and Disgust. Perspectives on the Dark Grotesque (Routledge, 2017; with Andrew Norris), The Edinburgh Companion to the Prose Poem (Edinburgh University Press, 2021; with Mary Ann Caws) and Tutto quello che non avreste mai voluto leggere — o rileggere — sul fotoromanzo. Una passeggiata (Comma 22, 2021; with Luciano Curreri and Giuseppe Palumbo). In 2016, he contributed a volume to Quodlibet’s Elements series (Undoing Art; with Mary Ann Caws). As a musician he has been active on the jazz and rock scenes since the end of the 1990s, most notably with the bands The Wrong Object and Machine Mass. www.micheldelville.com.
FR. Michel Delville enseigne la littérature anglaise et la littérature comparée à l’Université de Liège, où il dirige le Centre Interdisciplinaire de Poétique Appliquée. Il est l’auteur ou le co-auteur/directeur d’une centaine d’articles scientifiques et d’une trentaine d’ouvrages portant principalement sur les relations entre la littérature, la musique et les arts visuels. Parmi ses publications les plus récentes, on peut citer Crossroads Poetics: Text, Image, Music, Film, & Beyond (Litteraria Pragensia, 2013), The Political Aesthetics of Hunger and Disgust: Perspectives on the Dark Grotesque (Routledge, 2017 ; avec Andrew Norris), The Edinburgh Companion to the Prose Poem (Edinburgh University Press, 2021 ; avec Mary Ann Caws) et Tutto quello che non avreste mai voluto leggere — o rileggere — sul fotoromanzo. Una passeggiata (Comma 22, 2021 ; avec Luciano Curreri et Giuseppe Palumbo). En 2016, il a publié un premier volume destiné à la collection Elements de Quodlibet (Undoing Art ; avec Mary Ann Caws). En tant que musicien il s’est fait connaître sur les scènes jazz et rock depuis la fin des années 1990, notamment avec les groupes The Wrong Object et Machine Mass. www.micheldelville.com.
