Catalogo / Utopian Display

Utopian Display
Geopolitical Curating
Edited by Marco Scotini
ISBN 9788822904157
2019, pp. 224
140x220 mm, brossura
€ 20,00
€ 17,00 (prezzo online -15%)
Altre edizioni
Acquista
Preferiti
     
StoreDB
Il libro

That contemporary art, by means of biennials, neo-museum institutions and financial markets, has currently become a global phenomenon is a given. Much less of a given is that the paradigm “Art,” as it has become established through its modernist legacy, is affiliated with a multiplication of visions, with a latitude of different and interlocking histories and with transversal and diverse contexts. Within the contemporary artistic scene, one has the impression that “being equal” means nothing more than adhering to the same Art institution. To emancipate oneself thus means belonging to Art as to a same world, sharing an already established world that, as such, can only infinitely reproduce that which is already implicit within it. Despite everything, our model of art continues to be very similar to that of an institution capable of determining the integration of minorities as a majoritarian measure (in their identity, their unity) or their exclusion.
With a degree of skepticism towards both globalization effects and the latest premises of the so-called de-globalization, the anthology Utopian Display attempts to bring together curatorial experiences that have matured over the past thirty years in various geopolitical contexts – from Africa to China, from India to Latin America, from the Middle East through to the post-Soviet areas. The authors, all from different generations, are amongst the most important and experimental voices of contemporary, curatorial research.

Indice
  • Guido Tattoni, Direttore NABA, Nuova Accademia di Belle Arti
  • Italo Rota, NABA Scientific Advisor

  • Marco Scotini, Art and Curating within the Geography of Power

  • Instituent Practices and Institutional Critique. (Making /Unmaking Institutions)
    • Anselm Franke, Self Expropriated Museums
    • Ute Meta Bauer, The Making of an Institution
    • Hou Hanru, From Open Museum to Open City
    • Vasif Kortun, Art Institutions in the Age of Post-Publicness
    • Pierre Bal-Blanc, The Cultural Logic of the Contemporary Art. Foundation in the Era of Late Capitalism

  • The International Art English. Inclusion/Exclusion Procedures
    • Geeta Kapur, Curating across Agonistic Worlds
    • Gerardo Mosquera, Good-Bye Identity, Welcome Difference. From Latin American Art to Art From Latin America
    • Tina Sherwell, Some Considerations on the Geopolitics of Contemporary Palestinian Art
    • What, How & For Whom/WHW, What Do You Want to Know?
    • Charles Esche, A Picasso in Search of a Context

  • Unlearning History and Rewriting Memory
    • Simon Njami, The City in the Blue Day
    • Rasha Salti, Around the Postcolony and the Museum. Curatorial Practice and Decolonizing Exhibition Histories
    • Andrea Giunta, The Iconographic Turn. The Denormalization of Bodies and Sensibilities in the Work of Latin American Women Artists
    • Miguel A. López, The Transvestite Museum
    • Carol Yinghua Lu, Exhibition as Exhibition

  • Biographies

Volumi della stessa collana